drafting disorientations
Master of Arts in Contemporary Art Practice Semester III
Srishti Manipal Institute of Art, Design, and Technology, Manipal Academy of Higher Education (MAHE)
November 28-29, 2025
The MA Contemporary Art Practice held its inaugural exhibition entitled, “drafting disorientations,” at
1ShanthiRoad last month. The two-day exhibition featured works of our seven second year students, aṇu, Devaki, eyeshaan, Krishnapriya (KP), Urja, Vaishali, and Vepa. On both days, the exhibition also had a live sound performance by aṇu as part of her art-as-research installation.
The exhibition title came from two sites of this past semester, namely, the ten-week-long studio on “Making Space for Art” facilitated by Sandip Kuriakose in the context of 1ShanthiRoad Studio Gallery and the five-week-long “Text and Textuality” research writing seminar led by Kush Patel and Anjali Sakleshpur at
The Just Futures Co-lab. Underpinning both sites were a set of explicitly anti-colonial, anti-caste, and queer- and trans-feminist epistemologies that disoriented students’ art forms uniquely and to which they remained critically oriented. In particular, if Sara Ahmed’s writings in
Queer Phenomenology (2006) served as a guiding text in the studio, it was the “Scholarly Dis-/Re-/Orientation” opening to the seminar that amplified students’ individual forms of thinking.
The coming together of texts and objects in this exhibition was a deliberate bringing together of the destabilized fields of power both as experienced within our bodies and through relations of art and self-production that the students found themselves continually reworking.