Skip to main content

Information Arts and Information Design Practices

  

“The greatest challenge facing mankind is the challenge of distinguishing reality from fantasy, truth from propaganda. Perceiving the truth has always been a challenge to mankind, but in the information age (or as I think of it, the disinformation age) it takes on a special urgency and importance.” - Michael Crichton

“Cognitive justice recognises the right of different forms of knowledge to co-exist, but adds that this plurality needs to go beyond tolerance or liberalism to an active recognition of the need for diversity.” - Shiv Visvanathan



Olivia Chakraborty describes her research and design of a craft gallery as a part of her studio project. Credits: Divyarajsinh Rana.


Vision

We preserve and transmit culture, language and all historical record, whether myth or real, using the power of narrative. Narrative or stories that are not just the oral and the written, but in art, in dance, music and drama, embracing philosophy, history, politics, the environment and the social sciences. Stories craft our identity, they heal, inform, challenge and are the stuff of which our lives are made of.

The Information Arts and Information Design Practices Course at Srishti Manipal will explore the idea that all data is narrative. Information is narrative, but with purposefulness. Identity and information environments are intrinsically linked.

While visualization, interpretation and communication of data have been largely the focus of the field of Information arts and design around the world, at Srishti Manipal we dig deeper to engage with ethics, conflicts, politics, hidden realities and debates around data and information.

  • How can art, design and technology be used to push the boundaries of information and create points for action?
  • What can traditional practices from different cultures offer to interpretation of contemporary data?
  • Where can art and science meet to activate alternative research?
  • How does one train at a reflective self in relation to the world to be a storyteller who mines diverse data to arrive at deeper truths?

These and more questions serve as a guide map to engaging with and creating within this program. This course is an attempt to explore how to dissolve discipline-based perceptions of data to engage with real life in its nuanced stories allowing for new discourses to emerge.



Field Visit to Indian Music Experience Museum towards developing ideas for an exhibition and information design on crafts. 2022. Photo credits: Divyarajsinh Rana.


Traditional boundaries of the narrative are constantly broken in the interfaces of the global and the local, the traditional and the contemporary. Access to information is making the physical boundaries of the world we live in permeable. With multiple screens, constant connectivity, social and mass media has taken on a completely new form. The narrative has become all-pervasive, whether it be complex data that is to be effectively disseminated to diverse audiences, using diverse media, or it be used as a tool for research with communities in flux. The information artists and designers of today and the future have the particular challenge to create for a fragile world where politics, economics and ecosystem are placed at the tipping point of culture, ethics and the tradition of the artisan. Successful Information Artists and Designers have to emerge new gestalts of perceiving and understanding information before they respond through art and design for a human need entwined with the environment.

From a knowledge-based society, the challenge is to move to a wisdom-based society. To this end, we seek to find ways to seamlessly draw from the essence and spirit of the jester, the bard and the wandering minstrels in our modern guises. In that, the Information Arts and Information Design program is about crafting oneself as a storyteller, a behroopiya, whose stories are crafted through the fine lenses of time and space, cultures and contexts, information, knowledge and the extraction of wisdom. The axis of the course revolves around Self & Contemplation, Context Sensitivity and Leadership.



Mahesh Shrestha unravels academic text visually by exploring the nuances of an anthropological study.



Meghana Miriyala, Tapping into Dhvani theory and using the language of symbolism and suggestion through the techniques of miniature painting. Credits: Workshop: Making Hands by Pranav Sharma.


Course Structure

  • Disciplinary and Interdisciplinary studios
  • Workshops
  • Seminars
  • Lines of Inquiries (Field work, Case Studies, Investigations, individual or Group Projects, Transdisciplinary Research)
  • Theory and Understanding
  • Independent Study
  • Open Elective
  • Practice
  • Exhibitions
  • Culminating Performances of Understanding (Portfolio, Transdisciplinary research, Projects, Colloquium, Capstone/Dissertation)
  • Knowledge Enhancement (ability or skills)



Sakshita works with calligraphy as a mode for expressing information in subtle and diverse ways.



Shubham Shrivatsava maps the stakeholders that hold power in governance in a studio on Leadership.


Learning Approaches

Learning in at the postgraduate level is driven by published lines of inquiries that is enacted through studio-based learning, workshops, theoretical reflections and field work. This approach cultivates a creative practice through engagement in diverse contexts, collaborative and participatory approaches leading to knowledge development.

Program learning approaches includes:

  • Participation in integrated multidisciplinary learning
  • Exploration of hands on ways of crafting, design and development for traditional and digital platforms
  • Strengthening our learning with critical perspectives and purposefulness
  • Research into communities and contexts using participatory approaches
  • Building multiple modes of expression for engagement in diverse disciplines
  • Use of narrative structures and technologies to create communication
  • Embodied approaches to investigate, interpret, engage with and translate narratives
  • Lively debates, dialogue, sensitive and ethical questioning on a range of issues
  • Independent and self-motivated learning



A team of four students map the role of Indian Languages, Art and Culture in the National Education Policy, raising critical questions and investigating new directions in teaching and learning.


Capability Sets

This course will enable students in their capability:

  • to inform and communicate through narrative
  • to interact and work with communities, contexts and limitations and sensitively negotiate boundaries
  • to transact meaning with audiences and build context-sensitive practices
  • to perceive gestalts, navigate complexity and negotiate intelligences  through transdisciplinary engagement.
  • for leadership as action in art, design and/or technology praxis
  • for responsible creativity that emerges from social, ecological, ethical and learning design
  • to emerge transdisciplinary practice with reflections on interdependence and co-existence
  • to strategically work with emergent systems and chaos


Opportunities

The above mentioned capability sets could lead to opportunities such as:

  1. Employment in Design Studios, Advertising Agencies and the Publishing Industry
  2. Employment in New Media and Software industry
  3. Employment in Media and Television Industry
  4. Employment in startups, small and medium enterprises, NGOs, social and educational enterprises.
  5. You can become a contemporary art practitioner, entrepreneur, design consultant
  6. You can have an active involvement in emerging domains such as digital arts and new technology, storytelling in new formats.
  7. Pursue your research and continue to do a PhD.
  8. Develop your own projects and apply for grants.
  9. Some jobs profiles could be
    Design Strategist, Project Manager – Community Programme Services, Entrepreneur- Visual Designer. Artist. Arts Manager, Design consultant, Educator, Social justice Coordinator, Multicultural program coordinator, Cultural Design Practitioner, Creative Director, Program Manager, Creative and Cultural Researcher, Storyteller, Systems designer/ Consultant, Design Consultant, Educational designer, Eco-artist/ Eco –Designer


People


Enquiries

For more information about this program,

Kindly provide the following details for a call back.
Image CAPTCHA
Enter the characters shown in the image.



Disciplinary Intersections

The program is informed by the following learning disciplines:


Research and Collaboration

The program is closely linked with a wide range research and practice spaces:


 

FAQs

Information Arts and Information Design Practices is an exploration on how to present and communicate complex information in a meaningful manner to support discovery and communicate information across a range of socially relevant issues. IAIDP as a course allows students to grapple with diverse media and data that range from the artistic, informative to the technological; to find their own forms for communication and curating experiences. The core of this field lies in perception and interpretation of information in order to communicate. Communication can be personal, artistic and creative, it can also move into the space of a designer and expand into social communication and advocacy. Contemporary, exploratory and evocative, IAIDP offers space for crafting creativity and communication for a new era in human history.

People in this field are cross pollinators. They can seamlessly walk through media, arts and design. Driven by a desire to connect and evoke, they are willing explorers of simple and complex contexts alike. From environmental issues to human rights, from civic media to sonic art, from puppetry to web-design, their breadth and range of work are varied and experimental. They take communication to a new level in their ability to work across diverse fields through varied visualizations and technical explorations.

By opting for this course, students can evolve highly independent practice; ideate with far-reaching insights in whatever positions they choose to work in. From advertising to social communication, creative arts and design to technology based fields, graduates of this program have a wide and diverse playground to explore and find their niche.

Anyone who is willing to embrace diverse kinds of media, willing to engage with communities, analyze, evaluate and deepen their practice with relevant to contexts can become an IAIDP practitioner. If you are someone who is not completely satisfied with the idea of being an artist or a designer but feel that you want to bridge these two worlds, this could be very relevant course for you. Further if you are someone who is excited by technology and want to be at the cutting edge of contemporary approaches to art and communication, this course could help you build your practice.

At Srishti Manipal, we particularly focus on issues, contexts and communities that have social and environmental relevance. If you are someone who is looking to make a difference in these areas and have a strong passion to tackle wicked problems, this would be a good fit for you.

An IAIDP practitioner would benefit from the natural curiosity to explore different media and modes of representation. These could range from drawing and painting media to performing arts, technology and softwares, writing and graphic design. An IAIDP practitioner essentially plays with diverse forms of representation to create new ways to engage people. Their strength lies in this diversity. Storytelling is an essential skill that cuts across all the diversity in this program and becomes the core essence of communication. A willingness to traverse from science to arts, philosophy to literature are attitudes that will hold the IAIDP practitioner in good stead.

Leadership, Context-sensitivity and Self-Reflexivity form the axis of the course. Communication, interpretation of information, engaging with the politics of information and pushing the boundaries of how information is gathered, interpreted and communicated using diverse media, formats and methods is the essential focus of the course. We work with art, design and technology to deal with wicked problems, contexts, issues and communities on social, educational, environmental, economic and political issues.
Students graduating from the program will be able to:
1. Will be able to work with Information and Cultural Leadership
2. Will be able to work with systems thinking and strategy in diverse contexts and with appropriate media decisions
3. Will be a decision maker and a catalyst in social and environmental change
4. Will be able to build meaningful narratives that emerge from participatory, collaborative approaches and engagement with communities, and other life forms
5. Will be able to provide direction and design interventions by understanding systems and programmatic requirements
6. Will be able to bring integrity, ethics, empathy and compassion to social design and action
7. Will understand leadership from the frames of
     a. Taking Initiative
     b. Being Involved
     c. Being inspired and providing inspiration
8. Will be able to begin emerging a position/ stance as an information thinker and practitioner from a perspective of emotional, cultural, ecological and business intelligence as a cohesive whole.




View Eligibility for Admission, Fee Schedule, Application Form & Other information for this Program >>